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~ Buyers of Antiques, Glassware, Costume Jewelry & Collectibles

Red Dog Antiques of Newburgh Indiana

Category Archives: Tips for Collectors

Stoneware, Yellowware, Redware

07 Saturday Jul 2012

Posted by reddogantiques in Tips for Collectors

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American stoneware, collecting American stoneware, redware, yellowware

American pottery from the 19th and early 20th centuries is a favorite collectible, valued as an artform as well as for its functionality. Here is a basic guide to three  types of early American pottery: redware, yellowware, and stoneware.

Redware

Also known as earthenware, redware pottery was produced in the colonies as early as 1630. Made from soft red clay and fired at a relatively low temperature, redware tends to be fragile, and early pieces are relatively rare.

Most redware was hand-thrown on a wheel, and glazed with white slip, which is not paint but thin clay with pigment added. Some redware vessels were fired with a glaze of manganese oxide to produce a metallic black coloring, or with copper, which produced a green coloring.

Redware is not water-tight, and early potters often used a lead glaze to seal it, a practice that resulted in poisoning if the vessels were used for food storage. The use of redware fell out of favor with the adaptation of higher kiln temperatures that could produce more durable (and less dangerous) pottery.

See images of redware here.

Yellowware

Yellowware is a type of stoneware made from yellow clay.

The area around East Liverpool, Ohio, contained large amounts of this yellow clay, and as pottery manufacture followed the westward establishment of cities in the U.S., this yellow clay was used to produce great quantities of yellowware pitchers, plates, platters and bowls for mid–to-late 19th century households.

Since it was manufactured after the rise of pottery factories, yellowware is almost always molded rather than hand-thrown.

See images of yellowware here.

Stoneware

Stoneware is created using a much finer, denser clay than redware and is fired to a higher temperature, reaching the point of vitrification which results in a finished piece that does not absorb water. Traditional 19th century stoneware features salt-glazing, in which salt is added to the kiln during the firing process to produce a signature speckled or “orange-peel” appearance on the surface of the piece.

While it is a much stronger product than redware, most stoneware from the 19th century was created for everyday use, and surviving pieces will likely bear some signs of wear in the form of chips and cracks.

Hand-thrown stoneware will sometimes show fingermarks on its interior, visible in pieces like bowls and crocks, and you can sometimes spot a fingerprint or two in the area around the handles, if the piece has them. Molded stoneware — dating from the late 19th century into the early 20th — will often feature elaborate decoration or raised images of fruit, animals or scenic depictions.

See images of American stoneware here.

Decoration

Early American pottery was often decorated by incising in the clay itself, using sharp tips from nails or other objects to scratch images, names and dates into partially-dried (“leather-dried”) clay. Later potters used cobalt to decorate their work, applying the pigment with a brush or by a slip method in which the color was poured by hand in a thin stream to produce swirls, flower forms, animals and other illustrations.

Stenciling became common in the late 1800s as pottery came to be produced in factories rather than by individual artisans.

Decoration on molded stoneware, as noted above, became increasingly elaborate by the early 20th century, with raised images on the surfaces and birds and deer, in particular, adorning the lids.

Identifying and Valuing American Pottery

Few early pieces of American pottery bore a maker’s mark, though later pieces will often carry one, sometimes in the form of a stencil or a stamped impression of their manufacturer. Collectors today rely on shape and decoration to determine the age and value of a given piece.

Early jugs and crocks tend to be pear-shaped and ovoid, becoming more cylindrical as the 19th century progressed. Intricate slip-cast designs add considerable value, as does an Albany glaze, a slip made from the deep brown clays found around Albany, New York. Cracks and chips are to be expected in pieces created for their utility, while the more decorative pieces from the early 20th century can often be found in near-perfect condition.

For additional reading:

Wikipedia provides a brief history of American stoneware.

Warren F. Hartmann’s Early American Stoneware website offers considerable information on identifying and collecting American stoneware.

Potter Steve Earp writes an entertaining and informative blog about pottery called This Day in Pottery History.

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Tips for Collecting Costume Jewelry

11 Monday Jun 2012

Posted by reddogantiques in Tips for Collectors

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collecting costume jewelry, vintage costume jewelry

Coco Chanel is usually credited with popularizing “fashion jewelry,” designed to complement one’s outfit (or costume, as the term was used at the time) beginning in the 1920s. From the the Art Deco period prior to the Great Depression, through the Retro era of the mid-1930s until WWII, to the Modern period post-war until 1960 or so, costume jewelry has reflected the fashion and design of its day.

MATERIALS & MAKERS

Most costume jewelry produced in the 20th century was made from base metals, faux gems and rhinestones, as well as various plastics such as Bakelite and, later, acrylics, as well as — surprisingly, in the wartime period, silver. Popular — and highly collectible — makers include Chanel, Miriam Haskell, Eisenberg and Dior, as well as companies like Kim Craftsmen and Coro/Corocraft.

LEARNING ABOUT COSTUME JEWELRY: SOME RESOURCES

  • Frances Burke offers this quick, 6-point tip-sheet on getting started with your costume jewelry collection.
  • Julia C. Carroll’s series Collecting Costume Jewelry 101, 202 & 303 are all useful references for collectors. Even experienced collectors will enjoy perusing the photos in the earlier works (and will probably glean a tip or two in the process.)
  • Aunt Judy’s Attic has suggestions of other books that might be of interest to the vintage costume jewelry collector.
  • Here’s a short video for garage sale jewelry hunters, which includes a foolproof test for determining whether a piece of jewelry is actual Bakelite.
  • For a good introduction on collecting and caring for costume jewelry, Collectors Weekly recommends Carol Bell’s simple and informative site, Collecting Costume Jewelry.

Five Ways to Enjoy Your Collectibles

27 Sunday May 2012

Posted by reddogantiques in Tips for Collectors

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curating collections, Displaying collectibles, ways to display your collectibles

Lots of collectors make use of curio cabinets and sideboards with a hutch to display and enjoy their collectibles, whether they’re vintage salt & pepper shakers, antique rag dolls or Fostoria glass. But if your shelves are looking overstuffed and your cabinet is getting cluttered, it might be time to curate your collection. Here are a few ways to do it.

  1. Get in the habit of rotating your display. Get two or more storage boxes and separate your collection seasonally, or by color, or even at random. Once or twice a year, or more frequently if you’re really ambitious, swap out the contents of one box for another. You might find that you enjoy your items more if you’re seeing them less often.
  2. Create small groupings of your collection in different areas of your home. Who says you have to keep all your vintage thimbles in one place? Spreading your collection around your home lets you integrate your pieces into your decor without one room looking like a curio shop.
  3. Put a few pieces in unexpected places. Try setting a signature piece in a bathroom, or grouping a tableware collection over the fireplace. Consider putting  pieces in shadowbox frames and hanging them on the wall. Dolls, flatware, jewelry and antique toys all look striking in deep shadowbox frames.
  4. Cull your less-favorite pieces and store them. This is an especially good idea if you have duplicates or near-duplicates of certain items. Tuck some away and forget about them until the day you decide to pass your collection along to a family member or find a buyer for it.
  5. Create a scrap book with photos and notes about where you found particular items or how they happened to come to you. Flipping through its pages every now and then will remind you not only of the items you’ve collected, but of the pleasure you’ve taken in collecting them. Plus, should you ever decide to sell your collection, you’ll retain a book filled with mementos that fits neatly on a shelf and almost never needs dusting.

What are some of the ways you curate your collectibles?

Collecting Carnival Glass

27 Sunday May 2012

Posted by reddogantiques in Tips for Collectors

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appraising carnival glass, carnival glass manufacturers, collecting carnival glass

Collectors have been captivated by the iridescence of carnival glass since it was first introduced circa 1908 by a number of North American manufacturers.

Made using poured moulds, its appearance was thought to mimic much more expensive blown glass produced by companies like Tiffany.

Collecting carnival glass is a satisfying pastime for those who are just beginning to venture out into the world of vintage and antique shopping, since it is plentiful and generally inexpensive, though certain pieces carry very high values, sometimes in the thousands of dollars.

Leading Manufacturers of Carnival Glass

Dubbed “carnival glass” by collectors in the 1950s because it was often given out as prizes at fairs and carnivals in the early 20th century, the pitchers, vases, candy bowls, tumblers and other tableware were originally called Iridill by the company that was first to manufacture it.

Fenton Art Glass Company of Williamstown, West Virgina, began offering what we now call carnival glass in 1908 and remained the largest manufacturer through the 1920s and ’30s. Fenton continued to produce carnival and other art glass until  it closed in 2007.

Imperial Glass Company of Bellaire, Ohio manufactured carnival glass for some 65 years beginning in 1908, while the Northwood Glass Company of Wheeling, West Virginia produced it from 1908 until 1921. Millersburg Glass Company, another Ohio-based manufacturer, produced carnival glass for a brief time, from 1909-1911.

Identifying Carnival Glass

Identifying carnival glass is a study unto itself, and a challenge even for experts. Not all pieces include a maker’s mark, and manufacturers often produced close copies of rival patterns. Adding to the challenge is the fact that some companies, like Fenton, continued to produce carnival glass into the 21st century, and it is sometimes difficult to tell the new from the old.

If you’re building a collection for your own personal enjoyment, exact identification may be of little importance to you. But should you become a serious collector, it would be useful to track down old manufacturers’ trade catalogs and have one or two good reference pieces in your collection so you can learn the subtle differences between pieces of different vintage and manufacture.  And should you decide to part with your collection, or need to value it for insurance or inheritance purposes, it’s a good idea to contact a certified appraiser to find out if your family heirloom collection has significant value to a serious collector.

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